A narrative of retaliation, “Griselda” is, in fact, the story of the ascent of the Godmother of the Medellín Cartel, Griselda Blanco, a real-life drug queenpin played by the captivating Sofía Vergara. This story, however, is not about a helpless maiden who is carried away to the underworld. Creator Eric Newman, on the other hand, provides a window into the mind of an extremely clever and careful lady who is determined to reclaim everything that has ever been taken from her, even if it means destroying herself in the process.
The show is intense, captivating, and full of great drama. It moves quickly and has strong acting. A daring escape is where it all starts. The limited series, produced by the same team that brought us “Narcos,” premieres in Medellín, Columbia, in the late 1970s. Have a look at Griselda Season 1 review.
Netflix’s Griselda Season 1 Review
In “The Godmother,” Sofia Vergara portrays Griselda Blanco, one of the most notorious drug lords in history. Colombian drug dealer Pablo Escobar is credited with stating, “The only man I was ever afraid of was a woman named Griselda Blanco,” demonstrating how dreaded Blanco is at the beginning of the show. Is this what her gravestone says? No information is available.
Blanco ran away from her husband, Alberto, and fled Bogotá with her three sons, ending up in Miami. Her old friend Isabel (Vanessa Ferlito), who gave up drugs and criminality years ago, moves in with her. The finest product in the world, cocaine, is in Blanco’s possession; yet, she needs some seed money for her family. Now Griselda is engaging in risky behavior.
She asks an old acquaintance, Arturo (Christian Tappan), to use her connections with sex trade women to assist sneak the nose candy into the nation. This alerts the Miami Police Department’s female intelligence officer, Julia Aiden Martinez, a sicario named Alberto Guerra, a local drug lord named José Zúñiga, and others to an operation spanning from Colombia to the Florida panhandle.
Sofia Vergara illustrates James Gandolfini’s passion and empathy
Sofia Vergara portrays the passion and sensitivity of an actor like James Gandolfini, which is why Griselda works so effectively. Beyond only being attractive to men, Vergara has a compelling presence that makes her own every scene. Most of it is set aside for a complex performance that investigates the dynamics of intersecting power in a criminal society ruled by machismo.
Griselda, which was created by Doug Miro, Eric Newman, Carlo Bernard, and Ingrid Escajeda, the same group that brought us Narcos: Mexico, keeps showing us a world full of extraordinary violence. The protagonist trades in her role as a mother for an uncommon goal for women in that era, thus the writers leave her parenting at the motel room door.
Griselda gains by having the captivating Alberto Guerra in the narrative, even though the show would have profited more from highlighting the dangers of how the criminal world meddles with parenting her children. In the role, he portrays Dario, an assassin who falls in love with the godmother. Some of Vergara’s best moments come from their Sid and Nancy romance.
A television program such as Griselda raises cultural sensitivity difficulties. The extreme violence and derogatory stereotypes or misrepresentations are two examples. Juliana Aidén Martinez, who plays June, a trailblazing lady on the other side of the law who honorably represents a community, is a highly captivating actor, and the series follows her to counter that.
Because of Sofia Vergara’s riveting performance, Griselda is worth seeing. Griselda Blanco (Sofía Vergara), a significant figure in the cocaine drug trade in Miami in the 1970s and 1980s, is the subject of the limited series, which was produced by Eric Newman and Andrés Baiz. With its enormous grandeur and genuine detail lifted from out of the newspaper, the series carries on the great heritage of Narcos storytelling. The show is 2024’s first truly amazing series and is cinematic, much like the third season of Narcos: Mexico.