Fool Me Once Review: A Cinematic Deep Dive Into Harlan Coben’s World

Embark on a riveting journey as Netflix welcomes the new year with a captivating addition to Harlan Coben’s literary universe. Known for its signature blend of compelling narratives, stellar performances, and mind-bending twists, this adaptation elevates the bar for Coben’s extensive collection of novels. In a league of its own, the latest Netflix offering not only delivers the hallmark elements of solid writing and acting but takes them to greater heights. Brace yourself for a 2024 kick-off that promises a superior cinematic experience, where each twist and turn unfolds with heightened intensity, setting this Coben adaptation apart from the rest.

Fool Me Once Review: Decoding Harlan Coben’s Netflix Thriller

fool me once review

Netflix’s latest addition to its Harlan Coben adaptations, “Fool Me Once,” emerges as a complex labyrinth of convoluted plots and implausible twists. The eight-part thriller follows Maya, portrayed by Michelle Keegan, grappling with the aftermath of her husband’s death, only to be perplexed by his sudden reappearance on nanny-cam footage. Despite its intricate storyline involving military whistleblowers, mysterious seizures, and cold-case suicides, the series struggles with its incredibility.

The Harlan Coben Televisual Universe, a long-running Netflix deal with the American mystery writer, showcases Coben’s penchant for over-the-top narratives. Richard Armitage, a recurring face in Coben’s adaptations, takes a backseat in “Fool Me Once,” leaving Keegan to navigate the spotlight. Keegan’s performance as a grieving widow and all-action army veteran adds layers to the otherwise melodramatic script.

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Joanna Lumley’s Restrained Performance: A Supporting Role as Maya’s Psychiatrist Mother-in-law

Joanna Lumley, in a supporting role, brings restraint to the series as Maya(Michelle Keegan)’s psychiatrist mother-in-law. However, the show’s visual aesthetics receive criticism for portraying a Ballardian middle-class nightmare, with suburban McMansions and gleaming SUVs dominating the backdrop. The overtly polished and unrealistic setting detracts from the narrative, creating an unappealing visual experience.

“Fool Me Once” becomes TV best consumed as background noise, a phenomenon termed “the background binge.” Its lackluster plot and melodramatic dialogue make it a challenging series to engage with fully. The show’s focus on appearances, rather than substance, leaves viewers questioning its longevity. While it may shock with its persistent presence, the overall viewing experience feels more like a mundane task than an immersive escape.

In the end, “Fool Me Once” leaves audiences wondering if the final episode has finally arrived, highlighting the ongoing stream of Coben adaptations. Whether it’s a distraction from HMRC letters or a companion to Sunday roast preparations, this series thrives in the background, failing to offer the gripping narrative expected from Netflix’s acclaimed adaptations.

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Netflix’s “Fool Me Once” brings Harlan Coben’s universe to life with intricate plots and implausible twists. Michelle Keegan shines as Maya, navigating grief and mystery. The series, part of Coben’s Netflix deal, falls short visually with an unrealistic backdrop. Despite melodrama, it’s best as a background binge, lacking the gripping narrative of previous adaptations.

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